Workshop Description
The rapid advancements in artificial intelligence, particularly in generative models such as Generative Adversarial Networks (GANs) and Diffusion Models, have significantly expanded the landscape of synthetic and manipulated media, going well beyond traditional deepfakes to encompass a broad spectrum of AI-generated and hybrid content. While these technologies unlock remarkable creative possibilities, they simultaneously raise critical concerns regarding digital content authenticity and trust.
This workshop aims to bring together researchers and practitioners from diverse fields, including computer vision, multimedia forensics and adversarial machine learning, to explore emerging challenges and solutions in the detection, localization, attribution and recognition of manipulated and AI-generated content, as well as counter-forensic strategies. Specifically, it will address the need for robust and generalizable forensic methods capable of operating across heterogeneous generation and editing pipelines, the interpretability of forensic results, and the risks posed by continuously evolving synthetic content. Additionally, the workshop will promote discussions on dataset biases, multimodal forensic analysis, and the legal and ethical implications of manipulated media, including regulatory challenges and forensic admissibility in court. Through keynote presentations, paper presentations, and panel discussions, the workshop will provide a comprehensive overview of state-of-the-art research while fostering interdisciplinary collaborations to address this pressing societal issue.
Chairs
- Luca Guarnera, Research Fellow, luca.guarnera@unict.it (Department of Mathematics and Computer Science, University of Catania, Italy)
- Francesco Guarnera, Research Fellow, francesco.guarnera@unict.it (Department of Mathematics and Computer Science, University of Catania, Italy)
co-Chairs
- Sebastiano Battiato, Full Professor, sebastiano.battiato@unict.it (Department of Mathematics and Computer Science, University of Catania, Italy)
- Giovanni Puglisi, Associate Professor, puglisi@unica.it (Department of Mathematics and Computer Science, University of Cagliari, Italy)
- Zahid Akhtar, Associate Professor, akhtarz@sunypoly.edu (State University of New York Polytechnic Institute, USA)
- Fernando Pérez-González, Full Professor, fperez@gts.uvigo.es (School of Telecommunication Engineering, University of Vigo, Spain)
Track Chair
- Claudio Vittorio Ragaglia, PhD Student, claudio.ragaglia@phd.unict.it (Department of Mathematics and Computer Science, University of Catania, Italy)
Main Contact
- Name : Claudio Vittorio Ragaglia
- Email : workshop.dff@gmail.com
- Address : Dipartimento di Matematica e Informatica Cittadella Universitaria - Viale A. Doria 6 – Italy.
Important dates
Participants can submit paper through OpenReview plataform. The link for submission is the following:
The submission link will be available soon.
The submission link will be available soon.
Motivation
The creation and manipulation of multimedia content has always been a central topic in the multimedia community. For decades, images, videos, and audio recordings have been edited, enhanced, or tampered with using both professional tools and consumer software. However, recent advances in artificial intelligence and generative modeling have radically changed the scale, realism, and accessibility of media manipulation.
Multimedia content can be altered through a wide spectrum of techniques: from classical post-processing and compositing, to fully synthetic generation, to hybrid editing pipelines combining traditional tools and AI-based methods. In many cases, highly realistic manipulations can be produced with minimal effort, sometimes even through high-level semantic instructions such as text prompts. As a result, the barrier between authentic and manipulated content is becoming increasingly blurred.
This technological change is already having significant social, legal, and security implications. Manipulated and synthetic media are often used for malicious purposes: disinformation and propaganda; non-consensual and abusive content (e.g., deepfake pornography); fraud and identity theft; reputational attacks; and potentially the fabrication or alteration of digital evidence.
In this context, the role of multimedia forensics is becoming both more critical and more challenging. The problem is no longer limited to detecting low-quality or visually inconsistent forgeries, but instead concerns the reliable analysis of highly realistic and semantically coherent manipulations. Modern forensic methods are required to detect and localize manipulations across heterogeneous editing and generation pipelines, and to attribute synthetic or manipulated content to specific models, tools, or generation processes. At the same time, forensic techniques must remain effective in a technological landscape where generation and editing methods are rapidly evolving and continuously optimized to remove detectable traces. Therefore, there is a growing need for new tools that are not only accurate, but also robust, interpretable, and suitable for use in real investigative and judicial contexts.
At the same time, the field is increasingly challenged by adversarial machine learning and counter-forensic strategies.
Existing forensic systems often suffer from limited generalization and are vulnerable to targeted attacks designed to evade detection or mislead attribution.
The rapid and continuous evolution of generation and manipulation technologies demonstrates that ad-hoc or artifact-specific detectors and related solutions are no longer sufficient, calling for more general and robust approaches.%
This workshop aims to consolidate and advance research on the forensic analysis of manipulated and AI-generated multimedia content, including images, videos, and audio, and addressing the full spectrum of challenges ranging from detection and localization to attribution, robustness, explainability, and legal implications. The workshop is designed to cover both the analysis of existing manipulation and generation techniques and the study of new synthesis and editing methods, with the goal of understanding how different manipulation pipelines affect forensic traces and the reliability of detection systems.
Topics
- Detection and Localization of Manipulated and AI-Generated Content in Images, Video, and Audio
- Multimodal Forensic Analysis of Synthetic and Manipulated Media
- Attribution of Generative Models, Editing Tools, and Manipulation Pipelines
- Trace-Based Forensic Analysis of Multimedia Manipulations and Synthetic Content
- Robustness and Generalization of Forensic Detectors under Distribution Shifts and Real-World Conditions
- Adversarial Machine Learning and Counter-Forensic Attacks against Multimedia Forensic Systems
- Evaluation of Forensic Methods in Real-World and Social-Media-Like Processing Pipelines
- Dataset Design, Bias Analysis, and Benchmarking for Synthetic and Manipulated Media
- Explainability and Interpretability in Multimedia Forensic Analysis
- Passive and Active Authentication and Content Provenance Verification Methods
- Generative Models and AI-Based Tools for Multimedia Content Synthesis, Editing, and Fully Synthetic Data Generation, and Their Implications for Multimedia Forensics
- Legal, Ethical, and Regulatory Aspects of Manipulated and AI-Generated Media